I heard about Roger Ebert's death later than most people, and by that I mean I heard about it six hours after the announcement was made. So great was his impact and his presence that a mere six hours was all it took for most of my friends and relatives to hear about his death.
I can't speak to Roger Ebert much as a person, because I knew him only through his work in film criticism. I remember fondly my time spent watching him on television, sitting on the couch with my mother, yelling at him and Siskel about movies that we hadn't even seen. Our screams of "C'mon, Ebert!" could be heard around the house, usually followed by fits of laughter.
Roger Ebert taught me how to talk about movies in the same way that authors like Bill Peet and Kurt Vonnegut taught me how to write. He contained in him that same crotchety, articulate, anger-inducing, and brilliant spirit that I tend to gravitate towards. His vocabulary was extensive, yet he had the ability to cut a film down with so few words. He seemed to invite discourse and dissent, even as his thumbs made him into a kind of Roman Emperor, condemning a film to death or letting it live another day.
Again, I didn't know him personally, but I feel an incredible connection with him, after inviting him into my home and having him invite me into his mind for so many years. He was a brilliant writer who ignited debate and formed the way we experience film. He will be missed.
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A solid 3.5 weeks after going through
the momentous TV and music events of 2013, it's time now to turn to the movies
and general events that defined the year. Again, it's difficult to look at the
year as a whole, because it seems like we are constantly teetering between
instant forgetfulness AND instant nostalgia. We're like that guy from Memento who wanted that mint to impress
that tattoo artist. Or something. It's really hard to remember what that movie
was about. And I miss it dearly. 
