Showing posts with label Jeff Goldblum. Show all posts
Showing posts with label Jeff Goldblum. Show all posts

Nov 27, 2017

Ranking Marvel Films by Villain Bangability: Part 2 [Top 10]

Loki Bad | High-Key Hot

Above all else, Tableau Your Mind endeavors to entertain, enlighten, and exhaust its readers. So, in our entertaining and enlightening efforts to look at the bangability of Marvel Villains, we have also exhausted the patience of many by waiting to put up the second half of our two-part series. Well, wait no more! We've looked at the also-rans in Part 1. Now it's time for Tableau (along with Guest Bloggers Square Peg and Christmas Pug) to look at the certified hate-able hotties of Part 2:

Bangability: 5.14
Logan Marshall-Green as Jackson Brice / Montana

Really, Michael Keaton’s Vulture is the only real villain in this bish, and he’s about as bangable as any version of Michael Keaton that’s ever existed. So, medium? Donald Glover’s villain Aaron Davis barely gets to do anything, but he also elevates the bangability scale by just existing and being Donald Glover.

Tableau: Everyone’s just so angry in this movie. I don’t need that energy around me. 
Square Peg: I love Michael Keaton as an actor, but he often has this expression on his face like he just smelled something repugnant while also sucking on a sour candy. 
Christmas Pug: Donald Glover, please take me.

#9 Thor
Bangability: 5.66
The Destroyer

Lil Baby Loki’s film debut is also his least sexy, but he’s still doing it for the two women on this jury. What he provides is a preview of the bangability to come, and Loki’s mix of suave Britishness and good bone structure do seem to carry a lot of his films into the upper echelon of the bangosphere.

Square Peg: If anyone has a way to get in touch with Tom Hiddleston to let him know that I want to bang him, please do. Put it through the grapevine. 
Tableau: I feel like I added The Destroyer to the film’s list of villains to bring the average down a little and be a better representation of the quality of the movie. It’s fun and Shakespearean, but it’s not the best. And The Destroyer, while displaying some great leg and arm definition, loses points due to the fact that he shoots fire out of his only opening. He’s literally unbangable. 
Christmas Pug: Hole or no hole, you can’t really deter me from wanting to eff Tom Hiddleston.

Bangability: 5.77
Alexis Denisof as the Other

Loki’s back from the dead and ready to sexually frustrate all our heroes. As a central villain, he’s great, and he’s also at his most sexually alluring. His fun outfits, the way he teases The Hulk, that weird ball-gaggy headpiece he has to wear at the end -- he’s a sexual force with which to be reckoned. And while square-jawed Thanos and cage-masked The Other bring the average down a bit, the power of Loki easily breaks this film into the top 50%.

Square Peg: I’ll be singing this until the cows come home, but Thanos does nothing for me in any of his incarnations. 
Tableau: This is definitely Top Loki, and really the last movie where he’s the clear villain. After this, he veers into ‘shitty brother who is a little villainous’ territory.
Christmas Pug: Said it once and will say it again: would eff.

Bangability: 5.80
Daniel Brühl as Helmut Zemo
Frank Grillo as Brock Rumlow / Crossbones

This movie is just full of sexiness. At the core you have mastermind Helmut Zemo, a grieving father and husband who is pretty hot to trot with that sexy widow stank on him. And then, on the periphery, you have Tony Stark, whose sexiness is elusive to some, dom-gear Brock Rumlow, and zaddy/daddy Thaddeus. All told, it’s a pretty bangable group of whiteys.

Tableau: I’m not into any of this, really. But I understand, objectively, the attraction to these dudes.
Square Peg: Daniel Brühl is just so attractive. Look at how that one lock of hair flops so perfectly over his forehead!
Christmas Pug: I’m literally bored just thinking about banging these dudes (boom, roasted).

Bangability 6.07
Kurt Russell as Ego
Chris Sullivan as Taserface

For a movie as unevenly written and produced as GOTG2, it still manages to have a ton of extremely attractive and alluring villains. Ayesha, the High Priestess of the quasi-master-racey Sovereign, gets more attractive the more unhinged she becomes. And Kurt Russell as Ego the Living Planet maintains the high level of bangability he’s had since the beginning of his film career. And a huge part of his character is sexing up as many species as possible. That's hot (tm Paris Hilton). Taserface’s scrotal visage brings the score down considerably, as does Ego once he goes true baddie and gets all grey and sandy.

Tableau: Taserface gets no respect, even on this board. Without him, this movie would definitely have ranked higher on this list.
Square Peg: There’s no denying the appeal of that twinkle in Kurt Russell’s eye.
Christmas Pug: Yes to Ayesha. Yes to space ladies in general.

Bangability: 6.37 
 
Frank Grillo as Brock Rumlow
Robert Redford as Alexander Pierce 
Toby Jones as Arnim Zola (computer)

It makes sense that Bucky Barnes has been in suspended animation, because his hair and overall gravel-y sexiness is more reminiscent of early 90s Kurt Cobain or Ethan Hawke than any present-day dreamboats. But, because it’s a Marvel movie, he’s also jacked AF. Rounding out the trio of sexiness is Brock Rumlow (less charred than he is in Avengers 2) and forever Sexiest Man Alive Robert Redford (playing secret Hydra agent Alexander Pierce). Though Pierce’s smoldering sexiness is anything but agreed upon (Tableau is the cheese that stands alone on that one), everyone agrees that Computer Zola isn’t really much to bang home about. 

Christmas Pug: I don’t care what you say, Alexander Pierce is basically dead in “sexy woman years,” and I can’t stand behind a society that would sexualize him and not a lady counterpart of the same generation. 
Tableau: I’m all for pudgy elf Zola in the first Captain America, but the Commodore 64 version is more floppy disk than hard drive. I've never had a sexual thought about The Oregon Trail, and I don't intend to start now.
Square Peg: Brock Rumlow is definitely attractive, but he’s such an asshole that it cancels out.

Bangability: 6.43
Lee Pace as Ronan the Accuser
Michael Rooker as Yondu Udonta
Karen Gillan as Nebula
Josh Brolin as Thanos 

For the first Guardians film, it’s the battle of the sexy blue baddies. Since all the protagonists are also criminals, it’s a little hard to parse out the true villains. Still, if you’re blue in this movie, you’re at least on notice. And Ronan the Accuser definitely tries to kill a whole planet full of people, so his villainy is not under dispute. Neither are THOSE ABS and DAT BUTT:

Tableau: This whole movie is filled with a bunch of Sexy Smurfs. 
Square Peg: I definitely have a Lee Pace thing, but the cakey black blood on his face and his overall growly nature makes him a lot less bangable. Even if he is the first Marvel Villain to give us a butt shot.
Christmas Pug: I don’t know what it is about alien women that just GETS ME. All the points to Nebula.

Bangability: 7.17
Rebecca Hall as Maya Hansen 
Ben Kingsley as Trevor Slattery/The Mandarin

Once again, Tony goes up against a business rival who’s not as smart as him and hates him for his intellect and suaveness. Yawn. Thankfully, the rivals (Aldrich Killian and Maya Hansen) in this movie are bangable, which makes the high-stakes business one-upmanship a little more fun to watch. Maya Hansen was originally going to be the main villain of the film, which would have been a welcome change of pace for Marvel films (so few have a female villain, let alone a female MAIN villain). Thankfully, even with a diminished role, her bangability remains at an all-time high. This film’s hot quotient is ultimately done in by Aldrich’s awkward tattoo placement and Trevor Slattery’s general existence. Only Square Peg’s high score for Faux-Mandarin kept him afloat.

Tableau: Maya Hansen is incredibly attractive and has believable sexual chemistry with both Tony Stark and Gwyneth Paltrow’s Pepper Potts.
Square Peg: There’s something oddly appealing about The Mandarin, and we do literally see him post-coitally getting out of bed. So, we know he bangs.
Christmas Pug: Maya Hansen is v bangable, and I wish I could say I wouldn’t bang someone with Aldrich’s tattoos, but we all know I would.

Bangability: 7.67

The only movie on this list with only one villain, its bangability ranking is firmly high because the single bad guy is also extremely attractive. Sure, he kills without mercy and uses Ant-Man’s daughter as a hostage, but you can’t deny the swagger.

Tableau: I’m not going to really comment on the attractiveness, except to say that he is seemingly a psychopath. So that maybe knocks a point off?
Christmas Pug: I love da baldies!!!
Square Peg: Corey is an attractive fella, but I don’t go in for suits.

Bangability: 9.0
Cate Blanchett as Hela
Jeff Goldblum as Grandmaster
Karl Urban as Skurge

Without much competition, the latest Thor movie is the sexiest film through and through. You’ve got sexy-ass Thor, super sexual (and bisexual) Valkyrie, and Hulk butt. And that’s just on the good guy side. On the bad side, you have sexual chameleon Jeff Goldblum as the Grandmaster, noted hottie-with-a-body Tom Hiddleston, and Cate Blanchett as the Goddess of Death (and God’s Sexual Gift to Humanity), Hela. The heat coming off this movie is intense, and it’s basically hemorrhaging horniness. This movie is a bang-fest, and that’s without even mentioning the long sequence where the heroes ride around in an orgy spaceship. Genitals are basically exploding off the screen.

Christmas Pug: Five thousand stars to Cate Blanchett! 
Tableau: Like every young person who watched Jurassic Park, I’ve been low-key sexually attracted to Jeff Goldblum for most of my life. And this is just the cherry on the sexy sundae. 
Square Peg: The horns only make Cate more attractive. Plus, I’m weirdly turned on by the fact that, if I were banging Jeff Goldblum, he could kill me at any moment with his weird melty death stick.

***

This whole list started as an experiment to see if a Marvel film's villain bangability matched up with the overall quality of the film. And, with a few exceptions, things do line up nicely. Maybe Ant-Man and Thor: Ragnarok aren't the best MCU films, but they are the most fun. Perhaps Iron Man 3 isn't the best Iron Man movie, but it is the most artfully directed and deep. And maybe we shouldn't look too hard at this list. Let's instead look to Hollywood and the entire celebrity-fueled industry and thank them all for being so bangable and willing to be exploited for our pleasure (and their extreme financial gain). And then, after you've heaped praise onto the already overpraised, go out into the world and bang on.

Feb 20, 2015

2015 Best Picture Nominees, Part 3 [Potpourri]


Before the Oscars delight and frustrate us this Sunday, it's time to look at the last two movies up for Best Picture. Since these movies don't have anything in common (besides generic crap like 'growing up', 'falling in love', and 'becoming a man'), let's just call this the Potpourri category. Before you read these, be sure to check out the reviews of the other six nominees HERE and HERE.

Now, on to Boyhood and The Grand Budapest Hotel:

Mar 28, 2014

Hit Or Miss: Quick Movie Reviews 6

Hello once again.

It's time to crawl out from under the Veronica Mars rock where I've been staying to look at some of the other movies that are currently out in the universe. And, since I'm blessed with an inordinate amount of free time on the weekends (take that, people with kids and/or friends), I have basically seen all the movies. Since I know that some of the readers do not have all the time to skulk around theaters, Phantom of the Opera-style, I have compiled a helpful list of movies that are worth HITting the cinema for, and movies that can be MISSed. That's right, 'tis time once again for a little Hit or Miss!

Muppets Most Wanted
It's not easy being green.
The Story: Directly following the events of the first movie, the Muppets head out on a European tour. It isn't long, though, before Kermit is replaced by the villainous frog and Kermit doppelganger Constantine, the most wanted criminal in the world. While Kermit tries to escape a Russian Gulag (and becomes chummy with guard Tina Fey in the process), Constantine and his cohort Dominic Badguy (Ricky Gervais) carry out successful museum heists while hiding under the alibi of the Muppets tour. Things get complicated, songs get sung, feelings get hurt, and Miss Piggy sings a sad duet with Celine Dion. You know, totally normal Muppet stuff.
Pros: I loved the first of the new Muppets movies, but one thing that it was rightly criticized for was focusing more on the human characters than the Muppets themselves. In this sequel, it's back to Muppet Classic, with humans adding color to the movie but not driving the plot. Ty Burrell and Ricky Gervais have interesting parts, but Tina Fey is really the only important human in the movie, and she's great. Like, really great. There are some other cameos (I won't spoil anything) that also add to the fun. The music, while not quite as great as the songs in the previous movie, is undeniably catchy. The movie is also incredibly fun and goofy, and some of the large plot holes are explained away by a general positive vibe. It's a feel-good delight. Plus, in my opinion, any time spent with the Muppets is time well spent.
Cons: While the film is generally great, it's also incredibly meta. As an audience, you're never allowed to forget that this is a movie, and that none of it is real. The Muppets make mention of it consistently throughout the movie.  Also, I'm a little tired of wondering whether or not Miss Piggy and Kermit are married (I've seen at least 2 weddings), which is a major plot point of the movie.
Consensus: It's funny, it's light-hearted, and it's a fun addition to the recent spat of great kid's movies (Frozen, The LEGO Movie, etc.). Also, you get to hear Tina Fey say "Good night, Danny Trejo" in a Russian accent.
Hit/Miss: HIT this movie up. it's a fun time.

The Grand Budapest Hotel
At The Grand Budapest,
everyone is checking out.
Like, they're being murdered.
The Story (Or, rather, the story within the story within the story): Gustave H. (Ralph Fiennes) is a concierge at a super swanky hotel. When he is framed for the murder of one of the hotel's ultra-rich clients (Tilda Swinton), it's up to a young lobby boy to clear his boss's name and break him out of jail (and effectively woo a young pastry chef played by Saoirse Ronan). Along the way, they run into a who's who of Wes Anderson mainstays, including Jeff Goldblum, Bill Murray, Edward Norton, Adrian Brody, Jason Schwartzman, and MORE!
Pros: Moonrise Kingdom, Wes Anderson's movie previous to this one, also happened to be one of the best movies ever (not The Royal Tenenbaums good, but still). This movie's not quite at that level, but it is the most Wes Anderson-y movies that Wes Anderson has ever Wes Anderson-ed.  That means audiences get cracker-jack pacing, blunt and direct dialogue, great actors hanging out and being great, and a beautiful and rich color palette. Also, it's good to see Ralph Fiennes being funny and with a normal-looking nose.
Cons: Again, it's the most Wes Anderson-y movie in the history of movies, and the director's twee sensibility can be a bit much at times. Also, the plot involves a lot of murder and quasi-Nazis, and sometimes it's difficult to watch your favorite actors get murdered, be murderers, and/or be kind of Nazis (in the movie, the fascist group is called The Zig-Zags). Also, something bad happens to a cat, and it's either the funniest or most frightening thing you'll ever see, depending on how you feel about cats.
Consensus: If you like Wes Anderson movies, you will like this movie. If you don't, then this movie isn't going to win you over.
Hit/Miss: Again, I really enjoyed this movie, and it's a delight, but you can probably MISS it for now and catch it on DVD.

Nymphomaniac: Vol. 1
love.
The Story: After being beaten and left in an alley, sex addict Joe (Charlotte Gainsbourg) is taken in by a man named Seligman (Stellan Skarsgard) and nursed back to health. While resting, she recounts her many tales of sexual deviance in a somewhat clinical manner, and her rescuer compares said sexual encounters (some of which involve Shia LaBeouf) to fly fishing, classical music, and the Fibonacci Sequence. The film, which is part one of a two-part film, is both strikingly forward and maddeningly snooty.
Pros: Despite the film's premise and its 'we're going to show you more vaginas, penises, and butts than you've ever seen on-screen before' attitude, the movie is incredibly funny, and often that's on purpose. Stellan Skarsgard is quite funny as Seligman, a man who is gentle and unassuming but who will porbably turn out to be a monster in Vol 2. Uma Thurman is scrumtrulescent as Mrs. H, the cuckolded wife of one of Joe's paramours; I honestly wish that the movie was just about her. Also, the actress playing Young Joe, Stacy Martin, is impressive in basically her first acting role. Also, possibly a Pro, there are a number of fairly explicit sex scenes that kind of hint at the strange banality of sex while still being fairly hardcore. Still not sure how to feel about them.
Cons: The movie, and the director Lars Von Trier, tries so hard to be daring and bold, and it feels like everyone is trying to hard. It's like when a teenager smokes in front of her parents, daring them to call her on it, "I'm not your little girl anymore" practically screaming behind her eyes. But really, all those boobs and butts and dongs just feel kind of silly, and it feels less like Von Trier is trying to get at a universal truth about the human experience and more like he's trying to justify his own demons. Also, Christian Slater and LaBeouf try unsuccessfully to have some sort of accent in the movie, and both of their attempts are laughingly bad. Also, this movie is so pretentious. It's "using a bidet while Queen Elizabeth II spoon-feeds you caviar and reads the New Yorker out loud" level of pretentiousness.
Consensus: I'll wait until after I see Vol 2 to fully form my opinion, but right now the movie is more spectacle than substance, and I could have done without the strange PowerPoint presentation of sad wangs.
Hit/Miss: I'm going to go with MISS for right now, but maybe the second half will win me over. Also, be sure you're 100% comfortable watching this movie with other people. It can get a bit weird at points.

Veronica Mars
She's got a taser and a camera,
and she's not afraid to use 'em
The Story: Okay, I said I was going to forget about this movie for a while, but I also just realized that I never actually reviewed it. So, here we go. Veronica Mars follows a young woman (the titular Mars, played by Kristen Bell) and former private detective as she returns home to a life she left behind in order to clear her ex-boyfriend (Logan Echolls, played by Jason Dohring) of murder charges and attend her high school reunion. She's tried for 9 years to leave her old life behind her, but the past has a way of sneaking up on old Veronica Mars.
Pros: If you're a fan of the television show of the same name, then there's a good chance you will like this movie. So, let's just talk about Pros for newbies. If you're going into this movie with fresh eyes, there is still a lot to love: tortured romance, big brawls, explosions, noir-style detective shenanigans, and more. The real reason to see this movie, though, is Kristen Bell, an actress who has never found a role quite as good as the damaged youth she played for three seasons on TV. Bell, like other TV stars before her, hasn't quite found her niche in film, though she's admirably shuffled through cheesy rom-coms that Katherine Heigl would turn down and delightful indies that nobody saw. This is her big-screen chance to play a fantastic character, and she doesn't disappoint.
Cons: The movie can be hard to get into as a non-fan (here's a helpful primer for people who haven't seen the series), but even as a fan there are plot points and character notes that are difficult to swallow. The central plot moves along nicely, but so much of the story involves plot points that are never resolved, in a way that makes the movie feel like the first episode in a much-longer series. Also, there is a clunky 'addiction' metaphor laced throughout the film, and it's super heavy-handed. We get it – Veronica, like her mother, battles with an addiction, but, unlike her boozy mama, Veronica is addicted to... solving murders? Or something?
Consensus: This movie is important, and I hope it does well so that other 'gone-but-not-forgotten' television series have some sort of life, be it a movie, or a comic book, or a spinoff musical.  What's dead may never die.
Hit/Miss: I mean, HIT. How often do we get to see complicated female characters on screen?

Well, that's it for this edition of Hit or Miss. Go forth and watch movies. You'll be glad you did.

Apr 18, 2013

My Cousins Review 'Jurassic Park'

Run!!!
I love Jurassic Park. I love it so much. From the first time I watched it (in the basement at the house of my sister's friend, clinging to the arm of a two-tone couch), I was hooked. I have always been fascinated with dinosaurs. I wanted to be a paleontologist so badly when I was in elementary school, and this movie was a natural extension of my prehistoric curiosities. So, when Jurassic Park came back out in theaters, I knew that I had to see it. And I also knew that there were only two people I needed to see it with – my two cousins, whose excitement about movies matches my own and whose childlike wonder I could hopefully feed off of (but not in a creepy, succubus way). Herewith are their/our thoughts (Spoilers Ahead):
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